The cross and the crucifixion,
A way to keep us running, praying for a fall,
If rotten brings us order,
Chaos breeds and crawls amongst us all,
I hear it call,
I hear it call,
Now the world has come between us,
Its spite knows no bounds,
The sinew keeps the tension,
Long enough for hate to take its place,
Its calling out,
Its calling out,
When the day comes,
Who will be the measure?
Pulled out from the crowd,
Laid between the guillotine,
Death between the sheets,
From one dreg to another,
Collect what’s left and share it out,
I know you got it in you,
At least we have each other,
The vista shifting with each count,
Make it out,
Make it out,
When the day comes,
Who will be the measure?
Pulled out from the crowd,
Laid between the guillotine,
Death between the sheets.
credits
from The Surgon,
released February 5, 2021
Performed By "The Surgon" - Produced, Mixed and Mastered by Max Hall.
supported by 6 fans who also own “Cross and Crucifixion”
this song reminds me of when I was a kid and I used to go to my friend's house to play with his Amiga 500 and almost every game before starting had one of these tunes immrshrike
An instrumental queer space opera from Portland synthwave artist Amie Waters, who uses a universal mythos to illustrate a personal journey. Bandcamp New & Notable Jul 14, 2020
supported by 4 fans who also own “Cross and Crucifixion”
Certains artistes sont plus performants quand ils font cavaliers seuls et LukHash en fait partie. GHOSTS était sans conteste un bon album mais le format de la chanson l'obligeait à se brider. Dans BETTER THAN REALITY, excepte sur "WE ARE FOREVER", le chant s'en va (même les samples vocaux sont très rares), le croisement entre la chiptune et la synthwave reste et LukHash nous met dans l'ambiance avec des sons rétros qui semblent tirés de VHS. La production retrouve sa puissance. Irréprochable ! Jordan Vauvert